Tango Time Travel

Todos de Carlos Di Sarli en Music-Hall 1951-1954

The present restoration project makes available as high resolution downloads the complete 84 recordings of «Carlos Di Sarli y su Orquesta» between 1951 and 1954. They have been produced at the then newly established Music-Hall record label in Buenos Aires.

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90,60121,83

13 - Organito de la tarde1:09
65 - Al compás del corazón1:54
67 - La novia del mar1:49
55 - Tu pálida voz0:55
17 - Don Juan1:09
10 - Milonguero viejo1:11
68 - Fulgor1:36
08 - Como los nardos en flor0:37
25 - Cuatro vidas1:56
81 - El choclo1:14
59 - Déjame hablar1:08
49 - Tangueando te quiero1:08
48 - Siempre más1:02
Format

AIFF 44.1kHz-16bit, FLAC 44.1kHz-16bit, FLAC 96kHz-24bit, MP3 320kbps CBR

Media

Vinyl record

Orchestra

Singer

Mario Pomar, Oscar Serpa

Label

Music-Hall

Project

Audio extract
13 - Organito de la tarde1:09
65 - Al compás del corazón1:54
67 - La novia del mar1:49
55 - Tu pálida voz0:55
17 - Don Juan1:09
10 - Milonguero viejo1:11
68 - Fulgor1:36
08 - Como los nardos en flor0:37
25 - Cuatro vidas1:56
81 - El choclo1:14
59 - Déjame hablar1:08
49 - Tangueando te quiero1:08
48 - Siempre más1:02

The present restoration project makes available as high resolution downloads the complete 84 recordings of «Carlos Di Sarli y su Orquesta» between 1951 and 1954. They have been produced at the then newly established Music-Hall record label in Buenos Aires. This label marks an important milestone in Argentine recorded music production which was until then pressed on 78-rpm shellac records. Music-Hall achieved the first Argentine commercial recording with a reel-to-reel tape recorder and a resulting vinyl record production. They were at least one year ahead of Odeon and RCA Victor, the two until then dominating major labels. To the press, Music-Hall announced Carlos Di Sarli as the first Argentine tango artist ever to be published on the new vinyl format. The records are still in mono but the tape master brings a new flexibility and mobility into the recording process. The studio and the record plant can now be easily at different locations. Another advantage of the new medium is the much lower background noise and therefore slightly higher dynamic range: Music-Hall advertised the sound of their records on the sleeves as fidelidad que iguala a la realidad, fidelity that equals reality. Nowadays we would maybe use the term high fidelity. This is the album release containing all 84 restored tracks.

Format

AIFF 44.1kHz-16bit, FLAC 44.1kHz-16bit, FLAC 96kHz-24bit, MP3 320kbps CBR

Media

Vinyl record

Orchestra

Singer

Mario Pomar, Oscar Serpa

Label

Music-Hall

Project

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Carlos Di Sarli en Music-Hall 1951-1954 Release Notes

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Discography Carlos Di Sarli Music-Hall 1951-1954

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Todos de Carlos Di Sarli en Music-Hall 1951-1954

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